Rentals

Many systems with varying capability are available. The system shown offers:

PRODUCTION BENCH
Case becomes furniture design (Director & TD plus two flip-up wings for additional space)

• 1 Boland 52″ 1080p HD LCD, with up to twenty images Miranda multiviewers
• 1 For-A HVS300 Hanabi HD 12-input Production switcher
• 3 RTS KP12 4-wire comms rack stations
• 1 Wholer 4-channel PFL audio speakers
• 2 Genelec 1029a control room audio speakers
• 1 Oxmoor VCA volume control
• 1 Pencil sharpener
• 2 Little Lights
• 1 Utility power strip

All connections to other racks are via multi-coupler cables for quick and efficient set-ups and strikes.

Multi-Format System :
1080HD/59.94i, 50i, 29.97PsF, 23.98PsF; 720HD/59.94p, 720/50p; 525SD/60, 625/50

PRODUCER & LD BENCH(s)
Integrated desk, 26” HD LCD monitor, RTS KP12 comms panel, Wholer PFL audio speaker, Little Light & flip-up wings for additional space if needed, optional printer

CAMERA OPTIONS

• Sony HDC2400/2500 SMPTE fiber
• Sony HDC4300 SMPTE fiber
• Sony HDC-F5500 SMPTE fiber
• Sony Venice 2 (with CCU control)
• Sony PMWF55 (with CCU control)
• Sony HDCP1/3 or Sony HDCP50/43 box cameras
• Panasonic AW-UE150 PTZ cameras
  Or any other model of HD camera …

CAMERA SUPPORT

• Sachtler, Vinten & OConnor tripods
• Sachtler Vario & Vinten Fulmar, Quattro & Osprey Pedestals
• Blackcam B60, B40 & B10 railcam systems

COMMUNICATIONS

• RTS Cronus 4-wire communication system
• RTS PS31, KP12s, SAP612, TW-12B
• Twelve throw-down BP325 beltpacks & DT108/109 headsets

Can be easily augmented with optional Telos Link hybrids, Telos One phone interfaces, wireless PL systems, etc.

GRAPHICS (Optional)

• Ross Xpression

CAMERA SHADING / TERMINAL
Case becomes furniture design

• 2 Marshall V-R44P Quad 4″ LCD Monitor
• 1 Sony Color Critical OLED HD monitor
• 1 Leader LV5800 HD waveform monitor
• 1 For A AUX router panel (3 total)
• 1 Evertz 5600MSC Sync / Master Clock
• 11 Evertz HD DA & down converters
• 4 Evertz 7700ADA7+3RU Analog Video DA
• 4 Evertz 7700ADA-AUD-3RU audio DA
• 3 Leitch Analog Video DA
• 2 Leitch Analog Audio DA
• 1 AJA HD10A Analog Component HD to HD-SDI
• 1 Miranda AMX800 timecode embedder
• 2 Miranda KALEIDO-ALTO-HD multiviewers
• 1 Miranda remote control unit
• 1 Rane AVA22 2-ch audio delay
• Up to 8 Sony RMB/RCP paint boxes

AUDIO
Audio distribution amplifiers to all record ISOs and Line-cut recordings are included in the Tapeless video carrypack standard configuration. AMV’s DM2K audio carrypack is also available optionally.

POWER & SPACE REQUIREMENT

• Power Draw: 105-135 amps (7-9 15amp circuits) single phase 110v (depending on the quantity of cameras/recorders required). AMV can supply a power tie-in package and PD (optionally)
• Space: typically 120-225 sq ft active space plus 100-160 sq ft storage

DECKS

• Aja Ki Pro
• Cinedeck
• Other recorder make/models available (optionally)

LENSES
All Mobile Video uses a comprehensive inventory of broadcast quality lenses, including:

• Fujinon & Canon PL mount zoom lenses
• Fujinon UA107x8.4 4K box lens
• Fujinon XA87x13.2 HD box lens
• Fujinon XA101x8.9 HD box lens
• Fujinon XA99x8.4 HD box lens
• Fujinon XA88x8.8 HD box lens
• Fujinon XA87x9.3 HD box lens
• Fujinon HA66x9.5 HD box lens
• Fujinon HA27x6.5 HD box lens
• Fujinon HA24x7 HD box lens
• Fujinon HA22x7.2 HD box lens
• Fujinon HA42x9.7 HD lens
• Fujinon HA22x7.8 HD lens
• Fujinon HA13x4.5 (HA14x4.5, ZA12x4.5) HD W/A lens
• Fujinon HA18x5.5 HD W/A lens
• Canon CN7x17 KAS S 17-120mm T2.95-T3.9 PL lens
• Fujinon ZK2.5X14 14-35mm T2.9 Cabrio PL lens
• Fujinon HK7.5X24 24-180mm T2.6 Premier PL lens
• Zeiss Digi-Prime & Digi-zoom B4 6-24mm, 17-112mm 2/3″ B$ cine lenses
• Fujinon HAc15x7.3 2/3″ B4 cine lens