As the perfect audio companion to AMV’s Tapeless Video carrypack system – the DM2K Audio Carrypack is completely digital, made for fast set-ups/strikes and most importantly cost-effectiveness.

Whether you are going “live to air” or tracking a band for re-mix at an audio post facility, our DM2K Audio Carrypack will deliver outstanding audio while not breaking the bank. At the heart of the system is our quick set-up/strike integrated equipment-furniture design containing a powerful 96 input Yamaha DM2000VCM digital 
audio mixing console. AMV’s console includes VCM (“vintage analog compression” and EQ) as well as other digital plug-in effects.

Our small DM2K configuration: Includes 24 mic level inputs, plus 24 line level inputs, 32 analog outputs plus the main stereo bus. Optional ProTools audio multi-track recorders are fed digitally via a MADI stream sending 48 tracks from the console to the hard drive based multi-track recorders and returning 48 tracks for monitoring at the desk.

Our large DM2K configuration: If the second set of 24 console inputs needs to be mic level high quality Aphex Systems 1788 pre-amps can be supplied. AMV also has an inventory of DANTE based I/O.

Other included equipment: (4) 17” LCD VGA HD video monitors typically providing monitoring of video-program and/or camera repeat multiviewer (via the Miranda Kaliedo Altos in our Tapeless video carrypack), audio phase metering, and/or multi-track recorder status. (2) DYNaudio BM12a audio studio monitors and twenty patchable analog audio distribution amplifiers round out the configuration.

All connectivity between the DM2K bench and our I/O racks is via two W4 MASS-58 cables. 
Cabling to the I/O rack from the outside world is accomplished using standard DT12 connectors. This standardization translates into fast, repeatable and simple set-ups.

AMV also offers stage and audience mic packages, wireless mics, splitter systems, fiber optics, wireless PL and IFB, optionally.

See Spec Sheets tab for further details

AUDIO BENCH
Case becomes furniture design

1 – Yamaha DM2000VCM 96 input digital audio mixer

Standard Small Configuration (48 inputs):
24 ch mic/line level input (internal to console) mic preamps
24 ch line level inputs
34 ch (internal to console) analog outputs:
18 L/R, 8 Omni, 8 on MY8ADDA96 all wired to XLR patch bay at I/O racks
16 on MY8ADDA96 not wired to XLR patch bay (available at console rear)
48 ch MADI digital outputs on MY16MD64/MY16EX(x2), typically direct outs
48 ch MADI digital inputs on MY16MD64/MY16EX(x2) typically console ch 49-96 inputs

Standard Large Configuration (96 inputs):
48 ch mic/line level inputs
24 ch Yamaha (internal to console) mic preamps
24 ch Aphex 1788 (external to console) mic preamps

34 ch (internal to console) analog outputs:
18 L/R, 8 Omni, 8 on MY8ADDA96 all wired to XLR patch bay at I/O racks
16 on MY8ADDA96 not wired to XLR patch bay (available at console rear)
48 ch MADI digital outputs on MY16MD64/MY16EX(x2) typically direct outs
48 ch MADI digital inputs on MY16MD64/MY16EX(x2) typically console ch 49-96 inputs

* Custom configurations are also available

4 – Sony 17” HD/VGA LCD video monitors
2 – Dynaudio BM12a audio mix speakers

All connections to other racks via W4 MASS-58 & ProBlox

AUDIO I/O RACK #1
Stackable Rack Design

1 – Tektronix 764 Digital Audio Monitor / Phase Meter
8 – Leitch Genesis 6000 1×6 analog audio distribution amplifiers
1 – Apogee Big Ben Master Clock
1 – RTS 2-channel biscuit box with PTT handset

XLR audio patch bay, with:
8 – (8) 1×6 analog audio DA inputs
48 – (8) 1×6 analog audio DA outputs
2 – DT12 outbound spigots all pairs patchable
8 – Stereo feeds to cameras all pairs patchable
2 – Stereo feeds to DVRs all pairs patchable
2 – Stereo feeds to DVDs all pairs patchable
24 – Additional Tie lines to Video Village

2 – ProTools systems (available)

All connections to/from outside world via W4 MASS-58, DT12, ProBlox and/or XLR.
AUDIO I/O RACK #2
Stackable Rack Design

16 – Leitch Genesis 6000 1×6 analog audio distribution amplifiers
3 – Aphex 1788 Mic Pres (8 ch ea., if “Large Standard Configuration”)

XLR audio patch bay, with:

16 – (16) 1×6 analog audio DA inputs
96 – (16) 1×6 analog audio DA outputs
4 – DT12 inbound spigots “normal-ed” to console inputs ch 1-48
24 – physical XLR insert in/outs, console ch 1-24
12 – local patchable spigots to console inputs ch 37-48

All connections to/from outside world via W4 MASS-58, DT12, ProBlox and/or XLR.

COMMUNICATIONS RACK • (w/Tapeless Video Carrypack)
1 – RTS Cronus 4-wire communications system
2 – RTS PS31 power supplies (6 channels)
1 – RTS SAP612 source assign panel
3 – RTS 4 channel rack stations & headsets
2 – RTS 2 channel rack station & headsets
12 – RTS BP325 belt packs & headsets
IFB System (available)

POWER REQUIREMENTS

AUDIO: 15-30 amps (one or two 15amp 110V circuits) all standard edison plugs